{"id":386,"date":"2022-05-13T00:32:52","date_gmt":"2022-05-12T22:32:52","guid":{"rendered":"http:\/\/www.pascalblondy.com\/?p=386"},"modified":"2023-07-20T16:10:46","modified_gmt":"2023-07-20T14:10:46","slug":"e-folia-of-spain-ep","status":"publish","type":"post","link":"https:\/\/www.pascalblondy.com\/index.php\/2022\/05\/13\/e-folia-of-spain-ep\/","title":{"rendered":"E-Folia of Spain"},"content":{"rendered":"\n

Voici r\u00e9unis les 4 titres pr\u00e9c\u00e9demment produits illustrant cet ancien th\u00e8me de la \u00abFolia \u00bb, un th\u00e8me parcourant avec ses diff\u00e9rentes reprises toute l\u2019histoire de la musique classique europ\u00e9enne jusqu\u2019\u00e0 nos jours. En provenance d\u2019Espagne, ces 4 titres que nous avons r\u00e9interpr\u00e9t\u00e9s avec l\u2019\u00e9lectronique, fa\u00e7on House, sont pris \u00e0 titre de t\u00e9moins d\u2019une naissance et reconnaissance de ce th\u00e8me \u00e0 l\u2019\u00e9poque de la musique baroque. <\/p>\n\n\n\n

Ont \u00e9t\u00e9 repris ici :<\/p>\n\n\n\n

1- le fandango de Domenico Scarlatti, fin du XVIIIe si\u00e8cle<\/p>\n\n\n\n

2- ce m\u00eame fandango, dans sa version longue, une prolongation due \u00e0 Genoveva Galvez au d\u00e9but des ann\u00e9es 1980.<\/p>\n\n\n\n

3 – le fandango de Padre Soler, en 1762<\/p>\n\n\n\n

4 – la sarabande de Haendel, en 1733<\/p>\n\n\n\n

Si ces titres ne sont pas consid\u00e9r\u00e9s par les musicologues comme directement issus du th\u00e8me de la folia, il nous a sembl\u00e9 cependant trouver en plus d\u2019une m\u00eame origine territoriale et musicale, une parent\u00e9 dans l\u2019exaltation, la m\u00e9ditation et la temp\u00e9rance, indexant des \u00e9tats de corps qui pouvaient encore nous signifier une histoire, une pr\u00e9sence contemporaine. L\u2019\u00e9lectronique, et les apports de la House music, nous ayant permis de red\u00e9couvrir et d\u00e9ployer cette pr\u00e9sence. Nous renvoyons \u00e0 notre blog pour un plus long d\u00e9veloppement.<\/p>\n\n\n\n

Here are gathered the 4 titles previously produced illustrating this old theme of the \u00ab\u00a0Folia\u00a0\u00bb, a theme traversing with its various covers the whole history of European classical music until our days. Coming from Spain, these 4 titles that we have reinterpreted with electronics, House style, are taken as witnesses of the birth and recognition of this theme at the time of Baroque music.<\/p>\n\n\n\n

They were taken here :<\/p>\n\n\n\n

1- Domenico Scarlatti’s fandango, end of the 18th century<\/p>\n\n\n\n

2- this same fandango, in its long version, an extension due to Genoveva Galvez in the early 1980s.<\/p>\n\n\n\n

3 – Padre Soler’s fandango, in 1762<\/p>\n\n\n\n

4 – Handel’s saraband, in 1733<\/p>\n\n\n\n

If these titles are not considered by musicologists as coming directly from the theme of folia, however we find in addition to the same territorial and musical origin, a kinship in exaltation, meditation and temperance, indexing bodily states that could still signify to us a history, a contemporary presence. Electronics, and the contributions of House music, have allowed us to rediscover and deploy this presence. We refer to our blog for a longer development.

\"\"

https:\/\/blondy.bandcamp.com\/album\/e-folia-of-spain-ep<\/a><\/p>\n\n\n\n

Dernier t\u00e9moignage au sujet de l\u2019incarnation, apr\u00e8s l\u2019anthropologue Philippe Descola, l\u2019artiste Chris Korda, les \u00e9crivains Philippe Sollers et Blaise Cendrars, et la philosophe Karen Barad, voici – plut\u00f4t que de donner quelques exemples d\u2019\u00e9tats de corps rep\u00e9r\u00e9s de la machine de guerre nomade ou de la machine de capture d\u2019\u00c9tat, dans \u00ab Mille plateaux, capitalisme et schizophr\u00e9nie 2 \u00bb de Gilles Deleuze et F\u00e9lix Guattari, paru en 1980 aux \u00c9ditions de Minuit – un extrait du texte \u00ab Nautilus et Bateau ivre<\/em> \u00bb du s\u00e9miologue Roland Barthes (in \u00ab Mythologies \u00bb, \u00c9ditions du Seuil,1957, collection Points Essais,1970) texte qui appara\u00eet comme une vision condens\u00e9e anticipatrice de la revue technique m\u00e9taphysique produite par Deleuze et Guattari avec \u00ab Mille plateaux \u00bb.
P.82 : \u00ab La plupart des bateaux de l\u00e9gende ou de fiction sont \u00e0 cet \u00e9gard, comme le Nautilus<\/em>, th\u00e8me d\u2019un enfermement ch\u00e9ri, car il suffit de donner le navire comme habitat de l\u2019homme pour que l\u2019homme y organise aussit\u00f4t la jouissance d\u2019un univers rond et lisse, dont d\u2019ailleurs toute une morale nautique fait de lui \u00e0 la fois le dieu, le ma\u00eetre et le propri\u00e9taire (seul ma\u00eetre \u00e0 bord<\/em>, etc.). Dans cette mythologie de la navigation, il n\u2019y a qu\u2019un moyen d\u2019exorciser la nature possessive de l\u2019homme sur le navire, c\u2019est de supprimer l\u2019homme et de laisser le navire seul; alors le bateau cesse d\u2019\u00eatre bo\u00eete, habitat, objet poss\u00e9d\u00e9; il devient oeil voyageur, fr\u00f4leur d\u2019infinis; il produit sans cesse des d\u00e9parts. L\u2019objet v\u00e9ritablement contraire au Nautilus<\/em> de Verne, c\u2019est le Bateau ivre<\/em> de Rimbaud, le bateau qui dit \u00ab je \u00bb et, lib\u00e9r\u00e9 de sa concavit\u00e9, peut faire passer l\u2019homme d\u2019une psychanalyse de la caverne \u00e0 une po\u00e9tique v\u00e9ritable de l\u2019exploration. \u00bb<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Voici r\u00e9unis les 4 titres pr\u00e9c\u00e9demment produits illustrant cet ancien th\u00e8me de la \u00abFolia \u00bb, un th\u00e8me parcourant avec ses diff\u00e9rentes reprises toute l\u2019histoire de la musique classique europ\u00e9enne jusqu\u2019\u00e0 nos jours. En provenance d\u2019Espagne, ces… <\/p>\n

Continue Reading E-Folia of Spain<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-386","post","type-post","status-publish","format-standard","hentry","category-une-odyssee-du-dancefloor"],"yoast_head":"\nE-Folia of Spain - Pascal Blondy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pascalblondy.com\/index.php\/2022\/05\/13\/e-folia-of-spain-ep\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"E-Folia of Spain - Pascal Blondy\" \/>\n<meta property=\"og:description\" content=\"Voici r\u00e9unis les 4 titres pr\u00e9c\u00e9demment produits illustrant cet ancien th\u00e8me de la \u00abFolia \u00bb, un th\u00e8me parcourant avec ses diff\u00e9rentes reprises toute l\u2019histoire de la musique classique europ\u00e9enne jusqu\u2019\u00e0 nos jours. 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